Before we begin, a quick update on the to-be-read pile at the side of the bed.
And now to Sydney. My sister was heading over to the UK again and had got the cheaper version of a flight, which included an eight-hour stopover in Sydney. This meant Him Outdoors and I went over for the weekend so that we could spend the day with her. The day we arrived, we went to the Flaming Galah Brewpub to sample their wares.
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| Seeds of the Future by Lloyd and Jenny Kelemen |
We then went for a wander through town to the National Maritime Museum where there was an exhibition of Wildlife photography (more of which elsewhere), and we admired the art in the foyer.
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| The Last Leg by Claire Bailey, 2006 |
Claire Bailey writes, 'the whole fabric of our culture is influenced by the migration of people arriving by sea'. In this sculpture, the Western Australian artist comments on three recent waves of migration. Her British parents were part of the great post-World War II migration to Australia. As a child she watched Vietnamese refugees arriving in bots that hardly seemed bigger than a bathtub. She has recently witnessed the desperation of boat people from Pakistan, Afghanistan and Iraq.
The Last Leg comprises six boats (three of which are displayed here) crafted from twigs, rusted wire and the ballast tank of a lifeboat. In using brittle materials, Bailey encourages us to reflect on the fragility of many migrant vessels and the courage of all those who have embarked on these voyages.
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| Waterside worker safety posters |
Produced by the Association of Employers of Waterside Labour to promote workplace safety within the stevedoring industry, the poster concepts were devloped by the association, often in response to a rise in particular types of workplace accidents. The artwork and printing were done by contractors, in this case by Clem Millard, one of the artists of the Wharfies' Mural. Millward was a former waterside worker and union member. These graphic prints were designed to be displayed in the poster boxes that featured along the waterfront in the 1960s.
The Wharfies’ Mural, on display next to the Tasman Light, is an exceptional artwork and also worthy of a post all of its own. We mooched on through Darling Harbour to the Chinese Garden of Friendship (again, another post) and then to the little Batch Brewing Company Darling Bay taproom.
Located in The Exchange in Darling Square, this would probably be a delightful loocation in summer as there are lots of dining options nearby as plenty of different food stallas are also located within the building and the local laneways. However, it was winter and it was cold and wet, so it wasn't quite as appealing a spot to sit and relax, but we know we can come back later.
We had dinner at Al Taglio in Surry Hills, an upmarket Italian restaurant featuring lamb ragut gnocchi, smoked chicken pizza with foam, and tiramisu in a glass. Delicious!
The next day The Weevil arrived so we met her at the airport and whisked her off on the ferry to Cremorne Point.
There's a beautiful walk out there through the gardens and by the shore, so we headed along to breakfast at Mosman Bay.
We then carried on fortified to Sirius Cove Beach, with views across the harbour.
And we finished off with a trip to Freshwater Brewery, after which I regretfully took The Weevil back to the airport and waved her through security as she headed off on a plane to the UK.
We started the next day with breakfast at Edition Roasters, where we sat down with our legs in a pit, below the floor level so it felt like sunken dining. A little bit of a strange experience, but very tasty food!
Once again, we stolled through town looking at the artwork, until we reached the Art Gallery of NSW for the serious stuff (in another post).
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| The Canopy by Jacob Nash |
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| Archibald Memorial Fountain, Hyde Park |
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| Frazer Fountain |
We then enjoyed the Spirit of Art Noveau exhibition and, as Alphonse Mucha created posters for champagne houses, among other things, we felt it necessitated a glass or two of bubbles to appreciate the finer points.
