Monday, November 14, 2016

Canberra Beer Week 2016

Our Canberra Beer Week kicked off with Beer Day Out. Him Outdoors was working on the Festival Beer stand, and they had run out of gas - literally, not figuratively. He asked me if I could bring along the CO2 cylinder, and I didn't want to cart the wrong thing along in a taxi, so I sent a photo to make sure I had the right thing. I did.

The largest queue was at The Festival Bar where patrons waited to taste the beers brewed especially for Beer Day Out. I sampled the Canberra Beer Week Collaborative Beer (five hops; five grains; five Canberra Breweries - very sessionable, like an English Bitter), the Sauvin Nouveau 2016 from Garage Project (fruity and very drinkable), the Chinatown Lager from Southern Bay (refreshing and surprisingly tasty for a lager, with rice in the grist and the addition of ginger and kaffir lime), the Noho Saison from Shambles Brewery (fruity, spicy, Belgian Saison with all the requisite flavours), the Sonic Prayer IPA from Modus Operandi (citrus, stone fruit and pine with some sweet malt to balance the 6% strength), the Mysterio IIPA from Stockade (fantastically fruity, fresh and strong citrus; bitter hop and sweet malt is well balanced), the Lamington Dark Ale from Bacchus Brewing Co (chocolatey coconut sweetness, as you would expect), the B2 Bomber Mach 6.0 from Bridge Road (Belgian, black Imperial IPA - all of the above), and the War Hog American IPA from Feral (hoppy, strong and bitter fun). Yes, they were small amounts, thank you.

I had taken my Dad along with me (well, he was in the country and it would have been remiss not to), so we then proceeded to work our way around the stalls, chatting to the brewers and drinking their wares in the sunshine.

There was a really pleasant atmosphere, with everyone enjoying the fine beers and the plentiful food on offer. The location worked well, with everything contained in a space with both indoor and outdoor seating, and the beer talks and masterclasses were well-attended and successfully received.

BentSpoke Brewing Co, like it says on the sign
A pint of Crankshaft with a Big Nut chaser
Bill making beer at the Canberra Brewer's stand
Modus Operandi
Garage Project from across the ditch
The Pact crew
The next day we went out to Mitchell for the Cannery Carnival - BentSpoke threw open the doors to their new cannery, with lots of shiny bling, good beer, fine food, music and sunshine (I don' t think they had much to do with the latter, but it went well with the whole chilled back ambiance thing they had going on).

Shiny bling
Tours of said shiny bling

La Sirene beers are among my favourite in this country, so I was not going to miss this tasting. Once again, Costa Nikias didn't disappoint, and the new sour red is an absolute winner. The tasting was held in a great venue too. I've not been to Avenue C Wine Co before, but it's a stylish spot with a sunlit patio and a great selection of fine wine to drink there or take home. We'll be visiting again.

Not the usual tasting
Costa with a great line-up of his artisanal beers
And on to Transit Bar where the regions battled it out for top beer honours. The ACT was represented by Pact Beer Co and Wig & Pen Brewery, while the South Coast NSW was represented by Five Barrel Brewing (Woolongon) and HopDog BeerWorks (Nowra). I'm not actually sure who won the showdown, but I know that enjoyed my beers! 

I had Tennent's Peak from Pact (A really tasty Imperial IPA - very nice indeed), Wee Heavy from Five Barrel (a chewy, flavoursome dark beer with ruby hints of goodness), The Halloween Project 3five9 from HopDog (smoked pumpkin - curious but not unpleasant), and Velvet Cream from Wig & Pen (an always enjoyable rich, full, creamy dark stout).

ACT takes on NSW South Coast at Transit
Saturday saw us at the GIO Stadium, partly because the Wellington Phoenix were playing the Central Coast Mariners, and partly because the Stadium had agreed to serve local craft beer from the participating cities. Hence, Garage Project and BentSpoke cans were available, which made the match much more enjoyable. Also the Phoenix won 2-0, so we were happy. 

Best beer list seen at a sporting venue
Garage Project White Mischief: sour, smart, fruity white beer with tastes of peach and salt - perfect pre-match drink
Garage Project Garagista: serious hopping going on
The Yellow Fever (away supporters)
Garage Project Hapi Daze: really pleasant combination of Kiwi hops
As we left the moon was out, and I managed to get it into a perfect position for this shot of the wheelchair basketball sculpture. (To confirm: I didn't actually manoeuvre the moon; just my camera angle.)

Shooting for the moon
The following day as I had a day-long rehearsal, Him Outdoors cycled off to Pialligo Estate for their sausages and cider event. The Small Acres Cyder was going down well, and the honey and sausages were also liberally sampled.

Sausages and cider menu
We finished off Canberra Beer Week with an outing to our local, The Pot Belly, where Nomad Brewing Company had taken over the taps. I sampled their Saltpan Desert Gose (desert limes up front with a tangy salt finish), Long Reef Pale Ale (earthy hoppy notes; on the English Bitter end of the pale ale spectrum, so I like it), Choc-Wort Orange (a little too bitter orange rather than fruity, which overrides the complexity of the malts), and Wild Mongrel (still one of the sourest beers I've tasted, but a lot more balanced from the keg than the last time I had it in a bottle). It was a wonderfully relaxing way to end the week's drinking.

Choc-Wort Orange, Saltpan Desert Gose and Long Reef Pale Ale from Modus at Pot Belly

Friday, October 21, 2016

Broken Hill and Beyond

Broken Hill is described as 'an isolated mining town in the far west of outback NSW'. It is variously referred to as 'The Silver City', the 'Oasis of the West' and the 'Capital of the Outback.' Just to be difficult, although it is in NSW, Broken Hill observes Australian Central Standard Time, which is the same time zone used in SA and NT. This is because at the time the Australian dominions adopted standard time, Broken Hill's only direct rail link was with Adelaide, not Sydney.

We arrived in Broken Hill quite late and under a baking sun. Our hotel was right next to the railway, which proved to be rather noisy as the mining trucks rattled along throughout the night. Trains and mining are pretty important to this town.

Broken Hill was founded as a town in 1883 by boundary rider Charles Rasp, who discovered what he thought was tin, but which were in fact silver and lead. The orebody they belonged to turned out to be the largest and richest of its kind in the world. Miners called the orebody the Line of Lode.

Like many "outback" towns, Broken Hill was built on precious metals, having once had the world's richest deposits of lead, zinc and silver.In 1933 Broken Hill, with a population of 26,925, was the third largest urban incorporated area in New South Wales. Although now depleted somewhat, mining still yields around two million tonnes annually.

Broken Hill is known for its involvement in the Labour movement of Australia and has a strong and proud history of trade unionism. In 2015 Broken Hill became the first town in Australia to be included on the National Heritage List.

Broken Hill Courthouse

Broken Hill Post Office
Broken Hill Trades Hall
Broken Hill War Memorial
Established in 1904 Broken Hill Regional Art Gallery is the oldest Regional art gallery in New South Wales. It is housed in the former Sully's Emporium and has won numerous heritage awards for restoration and refurbishment.

Artworks outside the gallery are by TAFE (Technical and Further Education) students and those on the Aboriginal Arts and Crafts Education preogramme, where traditional carving techniques are taught to ensure the skills are not forgotten.

The Last Drop by TAFE Western NSW
The Palace Hotel was built as a tea house in the 1880s by the Women's Temperance League as they were alarmed by the number of beer halls in the town. Eventually it became a pub after all and found world-wide fame when a scene from The Adventures of Priscilla, Queen of the Desert was filmed in one of the rooms.

Workers of the nearby Central Mine built a tunnel through to the hotel's basement so that they could clock on for work, tunnel off to the pub, then clock off at the end of the day and go home without anyone being any the wiser. 

The Palace Hotel
Inside the Palace Hotel

Two-up is a particular Aussie games of chance: two coins are placed on a paddle, or 'kip' by the 'spinner' and punters bet on how they will land - two heads or two tails up. Originally brought to Australia by English and Irish convicts, the game made its way to the goldfields and further afield. It was played in the trenches and the troop ships in WWI and became synonymous with ANZAC Day, when pubs and RSL clubs across the country can legally host this usually illegal game.

Two-up has a special place in the tradition of Broken Hill, among the miners, shearers and itinerant rural workers. For most of the 20th Century the town operated an illegal two-up school, which became a tourist attraction until shut down in 1984. 

However in 1992 Broken Hill City Council successfully lobbied the State Government for a permit allowing two-up to be played every day of the year. The NSW Office of Liquor, Gaming and Racing acknowledged that the game was 'an established part of the cultural heritage of this mining city'. Now, should you wish to, you can play two-up every Friday night at the Palace Hotel.

The Broken Hill Sculpture Symposium was proposed to Mayor Peter Black in April 1993 by sculptor Lawrence Beck. Beck felt that while Broken Hill was widely recognised as a centre of excellence for painting, the city was less well-known for sculpture. 

Fifty-three tonnes of sandstone were moved to a reserve being developed just outside Broken Hill with a hill called Sundown as its natural focal point, and were shaped into twelve sculptures by artists from around the world. The reserve subsequently became known as the Living Desert.

Everyone says that sunset is the best time to go there, so we raced up the hill before it got dark. It's true; it's a pretty spectacular place. 

Antonio Nava Tirado is an Aztec Indian who studied at the National School of Painting, Sculpture and Printing, Mexico City. His sculpture is based on the music of Jarge Reyes, Bajo El Sol Jaguar (Under the Jaguar Sun). Use of the sun and the moon depicts the duality and Night is represented by the star of Venus. The mouth of the jaguar takes the sun at night to protect it. Day is represented by the circle created by the sun.

Bajo El Sol Jaguar by Antonio Nava Tirado
Across the Mundi Mundi Plains
Back to the monumental mining machinery...

After more than 125 years of mining in Broken Hill, the 7.5km-long, 1.6km-deep Line of Lode has yielded 300 million tonnes of ore and generated over $100 billion. Today, mining is still the major business of the town, generating more than $400 million a year, and the two main mining operators, Perilya and CBH Resources collectively employ more than 500 locals in mining works.

The main attraction at the Albert Kersten Mining and Minerals Museum is the Silver Tree, created for the Royal Melbourne Colonial Exhibition of 1880. The hollow base is made from a single piece of metal, and is decorated with many animals and indigenous people from the area.

The little silver work used to be the centrepiece of Charles Rasp's dining table. Born Hieronymous Salvator Lopez von Pereira in Stuttgart, Charles Rasp changed his name when he emigrated to Australia in 1869. He worked a variety of jobs on rural stations including the Mount Gipps Station where he was employed as a boundary rider. 

One day while mustering sheep in the Broken Hill paddock he was struck by the mineral appearance and formation of the Broken Hill. He joined forces with other local contractors, forming the Syndicate of Seven and sinking a small shaft. They were prospecting for tin, but early results showed only low grade lead ore and traces of silver. They persisted and formed the fist mining company in Broken Hill, the Broken Hill Proprietary Company Ltd (BHP).

The Silver Tree
The Miners Memorial atop the Line of Lode commemorates the more than 800 miners who have lost their lives while at work. It is a sombre and atmospheric edifice with commanding views across the town below.

Line of Lode Miners' Memorial and restaurant

In the late 1800s safety in the mines was the sole responsibility of the workers themselves. As a result miners put up with terrible conditions, toiling away by lamplight with hammer and chisel, and breathing silicon-laden dust and poisonous fumes. Accidents such as falling from ladders and trucks or being crushed by rockfalls and machinery were common and often resulted in death. 

The plaques which line the walls of the memorial state the names of the deceased, the date they died, the manner of their death and the company for whom they worked. It's incredibly moving. As the years progress the number of deaths get fewer, but any death at work is too many.


The foreground of the memorial is artistically littered with old machinery, left to rest in the elements. Much of it looks incongruous above ground, and as the wind whips through and around it, it emits a mournful note in its unaccustomed environment. 

So far on this holiday we've seen stunning coast lines, dramatic lighthouses, iconic flora and fauna, remarkable artworks, wineries, breweries, and classic outback scenery, and this is what he photographs. A lift. Sigh.

Him Outdoors is finally tempted to take a picture

Broken Hill from above
In 1885 Silverton had a population of 3,000. It offered a central flat position and a water supply to the many mining claims in the area. Today fewer than 40 people live here.

Silverton, NSW

The same landscape that was once home to a legion of miners is now inspiring artists and film makers. It was the location for the film Mad Max 2, and one bloke loved the film so much that he moved from Bradford to Silverton and set up a Mad Max museum of original and replica action vehicles, props and relics that he found at the film sites. 

Artists enjoy the unique land and light, which adds a harsh beauty to many works. 

A VW Beetle painted by Peter Browne
Howard William Steer has lived all his life in Broken Hill. He is a keen supporter of the Royal Flying Doctor Service, and features a Flying Doctor in many of his works, helping to raise the profile and financial support for the organisation. He also paints the people and animals of the outback, capturing the early miners' struggle to get reasonable working conditions, and satiric views of Australian icons.

John Dynon was born in Broken Hill in 1954, left school at 14 and worked on several sheep stations in NSW and Queensland, before taking up mining back in Broken Hill. He claims it was this incredible lifestyle that kindled his passion for the changing moods of the outback. In 1985 he became a full-time artist to meet the demand that had grown for his paintings. 

Silverton Artists Ute painted by Justin Cowley 
Pub Crawl by Justin Cowley
And so we went for a walk in heat of the afternoon under the blazing sun, as we do. It was still and quiet, and we didn't see another soul - funny, that.

Into the outback, Silverton, NSW
Mundi Mundi Plains lookout
We sought refreshments at the Silverton Hotel, billed as an iconic outback pub. If that means walls covered in unoriginal sexist slogans ('Sometimes I wake up grumpy; sometimes I let her sleep in': 'Men are like tiles; if you lay them right the first time you can walk all over them'), a woeful choice of lagers on tap and unfriendly staff, then I guess it is.

Horse Power
Our final breakfast in Broken Hill - the food here is consistently good and filling, but we both felt the need of fruit for a pretence at healthy eating.

Broken Hill pioneered a culture of trade unionism, including the introduction of the 35-hour working week and the defeat of conscription in Australia. Union activities at the turn of the century were 'frequently hostile' and Broken Hill developed a reputation for intense and frequent strikes. The town remains proud of its past militancy, as depicted in murals and memorials throughout the streets.