Showing posts with label Pinnacle Nature Reserve. Show all posts
Showing posts with label Pinnacle Nature Reserve. Show all posts

Monday, June 17, 2024

Pinnacles

One of our regular walks in the Pinnacle Nature Reserve is full of trees and sunshine, which is a delightful respite at this time of year.

 

Another of our favourite trails up Mt Painter has been closed due to erosion. Boo!


But the park elves, who build and maintain these things, have made a new one. Hurrah!


Meanwhile, the show I am directing, Dead Man's Cell Phone, opens this week, and the final preparations are being put in place, as Dr Kay hangs the blacks and the legs.


The furry freeloaders are, as usual, unimpressed.

Monday, September 13, 2021

Workers’ Playtime

Out walking again on RUOK Day, I noticed this chalked-up driveway as the occupants of the house checked in with all the passers-by.


We like to reward ourselves for our efforts. In this case I gave myself a liquid reward in the garden. 


It is a beautiful garden and I really appreciate the space, particularly during lockdown. We enjoy spending time out in it and playing with our kittens in it (and did I mention drinking in it?).


A friend reminded me that these are interesting times through which we are living and that the expression 'May you live in interesting times' is as much of a curse as it is a blessing. This saying has been variously attributed to the Ancient Greeks, the Chinese, and the ever-prophetic Irish. I think of it as belonging to Terry Pratchett.


And it's great to be able to finish the week with a quick hike around the Pinnacle Nature Reserve with the Walking Crew(and the currently ubiquitous golden wattle). 

Monday, September 24, 2018

Citizenship Ceremony

It became official - we attended a ceremony to make us fair dinkum Aussie citizens. I couldn't decide which brooch to wear so I pinned them both to my jacket and asked a friend to decide. (I went with the cat.) Later, it fell off my jacket and, after hunting for it everywhere, I thought it was lost, but it was returned to me by the local pub, where we went to celebrate after the ceremony.

The cat came back
The citizenship ceremony was a special one to mark seventy years since it was first introduced. Our ceremony, for reasons I couldn't quite fathom, was an event held with selected individuals at Floriade, the weird floral festival of Canberra, in a marquee. 

Placed around the edge of the marquee were a number of outfits created by flower arrangements - wearable art, if you will. Some had signage explaining their rationale: others didn't. 

National Eucalyptus Day by Genel Jordan is inspired by the tree which 'is synonymous with the Australian landscape. In the spirit of National Eucalyptus Day, this dress celebrates, in a small way, the majesty and beauty of these iconic trees. The form of the dress takes its inspiration from the structure of the tall eucalypts of Australia's native forests, the hues of their bark and the patterns often found on their trunks. The decoration of the dress is inspired by the vast palate [sic] of colours and shapes of the eucalypts [sic] foliage, its flowers and the fauna which make these trees their home.' 

National Eucalyptus Day by Genel Jordan
Save the Great Barrier Reef by Nada Anderson 'seeks to focus people's attention on the current state of the Great Barrier Reef and the impact of coral bleaching. This is illustrated by the transitioning of jewel coral colours to the whiteness of the bleached dead coral. Climate change is having a devastating effect on the reef by increasing ocean water temperatures, which in turn leads to coral bleaching. Two consecutive years of coral bleaching in 2016 and 2017 caused extensive damage to more than two-thirds of the reef. We need to act now before it is too late.'

Save the Great Barrier Reef by Nada Anderson
'In Australia 1 woman a week is killed by domestic violence. Physical or sexual violence affects further 1 in 3 women and many more women experience the disenfranchised grief and trauma caused by financial, emotional and psychological abuse. Attitudes need to change.

White Ribbon Day is a bystander campaign that aims to prevent men's violence against women by raising awareness and dedicating revenue from fund raising towards education and support.

The white leaves in the dress bodice represent the 1 woman a week killed by domestic violence. The tatami window work on the skirt symbolizes the new growth that women experiencing domestic violence can achieve when provided with adequate support and resources. Colour has been used symbolically with white symbolizing protection and possibility, and green symbolizing renewal , growth and harmony. The gold leaf represents the courage it takes for women to leave an abusive partner.'

White Ribbon Day Australia by Tracy Dodt
'National Organic Week is a week that creates awareness of the benefits of organic methods and farming production systems. I have conveyed this in my dress by using organic products. These are products that have not been sprayed with chemical fertilizers, pesticides, or any other artificial chemicals.

I have also used organic lines, shapes, and natural colours and represented organic in the bottom of the dress where it flares out, it is light and very full. This symbolizes what an impact filling your life with organic products can have on you and your health.'
National Organic Week by Esmae Barry
'Each day in Australia 50 women are diagnosed with breast or gynaecological cancer. The Cancer Council's Pink Ribbon Day aims to raise awareness about these cancers and also help raise funds for research, support, services and prevention programs.

My botanical garment was created to honour all of those who have been diagnosed with breast or gynaecological cancers. Having a beautiful Aunty of mine go through the struggles of breast cancer has made Pink Ribbon Day an organisation that is truly close to my heart, and that's why I have created a very pink and feminine piece to represent strong, beautiful women who are affected by this disease each and every day.'

Pink Ribbon Day by Anna Carbone
I didn't see the rationale behind the following pieces (although obviously there is an allusion to the Aboriginal flag in the last one), but I think they are all stunning.


Surrounded by these beautiful, living pieces, full of thoughts and memories, we became nationalised citizens of Australia. We then had a drink with friends and rode on the Ferris Wheel above the gardens. 

Him Outdoors with brewing chums
General Philosophy flying the flag
All smiles from Gindelle
Newest Aussies
You can take the boy out of Burnley...
Views from the top:

Calamity Sue, Emma Cake, and their shadows

This is the image on the diary page this week. I am so lucky and grateful to be a citizen of three wonderful countries. 


At the weekend our weekend walk around The Pinnacles took us past some beautiful scenery and a bearded dragon. He/she was merely trying to sun himself/herself (they can be either depending on the temperature) and wasn't entirely appreciative of being photographed. 


Monday, February 19, 2018

This is what I do

Things are about to get really intense as we move into production week and then we commence performances. I tried to cram in some sunshine and fresh air on a few bike rides and runs in the great outdoors before I am tucked away in the theatre for a month.

Drake Brockman Drive
Shepherd's Lookout
The Pinnacles


Exercise companions
I met a friend for coffee at the National Library and we admired some of the artwork while there. The Australia for Tomorrow poster was part of an immigration campaign in the 1940s. The rural setting is vibrant and spacious with a European Alpine feel, aiming to evoke feelings of cheerfulness and optimism among those refugees who would recognise such scenery - there is not a koala, kangaroo or desert in sight. There is an interesting article about this artefact here.

Australia, Land of Tomorrow by Joe Greenberg
Hanging in the foyer are Three Tapestries by Mathieu Matégot from 1968. For some reason, I only took pictures of two of them. In the second tapestry, there are depictions of Australian flora and fauna.The middle tapestry depicts Australian flora and fauna. The two-metre parrot represents ‘Terra Psittacorum’ or ‘Land of Parrots’—a name given to the Australian region in early navigational charts.

The other one has a multitude of themes. Starting from the top, it shows a blue area symbolising the Great Barrier Reef. The pineapple evokes tropical Australia and the riverboat and the outline of the Sydney Opera House represent urban life. The ram’s head stands for wool, Australia’s major export at the time, with the brown area at the bottom representing the land.

One of Three Tapestries by Mathieu Matégot
Another of Three Tapestries by Mathieu Matégot 
Fountains outside the National Library of Australia
And the rest of the time I have been in Theatre 3, working on this:

The Pierrot puppet scene from Oh, What a Lovely War!
The cast of Oh, What a Lovely War!
And some photos from the dressing room.




Meanwhile, I'm still working - managing the bottle shop - and hosting tastings from the likes of Hamish Young with his newly released Mada wines. I thoroughly recommend the Sagrantino - a grape originally grown in Umbria with one of the highest tannic levels of any variety in the world; this expression is elegant and earthy with hints of plum and cinnamon.

Hamish Young with Mada Wines
And after all this work and play, it is wonderful to come home to a rare night off and find that Him Outdoors has cooked me a delicious roast lamb, even if it does mess with my mind a little to have a Sunday roast on a Saturday.

Roast dinner with Him Outdoors